There’s little doubt in my mind that Another will stand as a great series for me, but it will be as one with serious flaws as well.
Horror is a tough medium for anime, which I think explains why it isn’t attempted more often – well, that and the fact that it doesn’t tend to be a big money-maker. The issue here is that it feels like Another was a mystery for ten episodes, and a horror for the final two. I liked it better as a a mystery, but that’s me. The core relationship in the series was the best one, as some of my favorite moments simply involved Kouichi and Mei interacting as two kids on the outside of the social infrastructure of Yomi North, taking comfort in each other’s presence as they shyly began to explore stronger feelings. Kouichi’s ballroom-dance dream sequence was possibly the best scene in an anime this season, for it’s visual brilliance and stylishness and humor, but also for how it both contrasted with the “reality” of the series and fit perfectly with it. I could have done with even more Kouichi-Mei development than we got, but what we got was enough to make them one of the best anime couples in quite some time.
I won’t argue that Another is under any obligation to explain everything that happens inside its boundaries. I like the fact that the true nature of the phenomenon is still left as a bit of a mystery, but I could have done with a little more background on just why events seemed to be conspiring to kill as many students as possible in increasingly unlikely ways at the end. I would’ve also liked a little more explanation about Mei’s odd ability to “see” using a false eye, which feels a bit like a dramatic crutch to lead us (and the characters) to the identity of the Another, and whether there are any deeper significance to all the mysticism surrounding the dolls.
At its heart, though, I think the central conceit of Another is pretty ingenious. It’s something of a tale of good intentions gone wrong – it seems so noble, to proclaim that a person who has died tragically isn’t really dead, but their spirit lives on. And this is a supernatural horror that doesn’t give is an easy target to focus on – our “villain” isn’t really the Another, who isn’t actually doing anything wrong. In a sense, they’re like any other person – but one carrying a terrible disease (death) of which they’re asymptomatic. Imagine someone carried such a deadly illness, but was otherwise fine and had no desire to hurt anyone. Would it be so easy to just kill that person, never mind if it were a member of your own family? You might think of putting them in isolation, and searching for a cure – but isolation doesn’t help, the disease spreads as long as they’re alive.
There’s no “evil” in this story – not until the truth comes out, and people start behaving in an evil manner towards each other (John Saul comes home to roost, after all). I guess I think of the deaths as nature’s attempt to restore balance when confronted by something outside itself – something quite literally “supernatural”. Nature may abhor a vacuum but it also abhors something that violates its laws, like a dead person among the living. It tries to correct for this by killing someone, but that doesn’t fix the problem – the dead person is still in the living world, so it kills again, and again, and until the imbalance is corrected it won’t stop. This is the dilemma Mei faces – she has no idea that eliminating the carrier will stop the flow of the disease. She has no desire to crush the feelings of the boy she’s come to consider the person closest to her in the world, now that her dear cousin (in reality, twin) has died. So she suffers in silence with her knowledge, until Matsunaga’s tape surfaces – and then resolves, too late, to try and fix the situation herself.
I may wish the ending had been handled differently, but I still rank the series as a resounding success. It made me feel deeply, it unsettled me, it made me laugh, it made me think and it scared the hell out of me. The mystery was engaging and interesting and never boring, even if the ultimate resolution wasn’t completely satisfying. The production values were off the charts. And most importantly, Another recognized that no mystery or horror scenario can succeed if it doesn’t build a connection to the characters, and it did the hard work and heavy lifting to turn Kouichi, Mei, Mochizuki, Teshi and Akazawa – and even Chibiki and Aunt Reiko – into real and complex personalities that we could identify with and care about. That gave the finale arc a power and emotional resonance whose impact not even the missteps of Mizushima-sensei could dull. It wasn’t perfect, but it was exceptional, and Another definitely goes down as the best example of the mystery and suspense genres that anime has produced for quite a while.